Avid Media Composer in a DSLR World

Don’t know if anyone’s noticed, but Canon made a little digital SLR camera called the Canon 5D Mark II and, apparently, it shoots HD video… It seems that some people are quite excited about the whole thing. Well if you had noticed that, you’d probably have also noticed that almost every mention of editing 5D footage is around Apple’s Final Cut Pro. It’s certainly not because other products can’t cut it, it’s probably just because of a massive commonality between those who’ve embraced the 5D and those who long ago embraced FCP.

So how do the current crop of HD DSLR cameras play with Avid’s flagship NLE? The answer is just fine now, and really well soon. As I write this Avid is shipping Media Composer 4.5, it cuts the DSLR footage fine, but there is transcoding involved and that takes time, but they’ve also recently announced Media Composer 5.0 and it will do it all straight from the files, with no waiting around.

So how does it work now, and how will that change in Media Composer 5.0?

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