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	<title>Tastes Like Chicken &#187; High Definition</title>
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	<link>http://dylanreeve.com</link>
	<description>Dylan Reeve, on the internet!</description>
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		<title>Canon Rumours and the Future</title>
		<link>http://dylanreeve.com/videotv/2010/canon-rumours-and-the-future.html</link>
		<comments>http://dylanreeve.com/videotv/2010/canon-rumours-and-the-future.html#comments</comments>
		<pubDate>Tue, 23 Feb 2010 09:13:01 +0000</pubDate>
		<dc:creator>Dylan</dc:creator>
				<category><![CDATA[High Definition]]></category>
		<category><![CDATA[Video/TV]]></category>

		<guid isPermaLink="false">http://dylanreeve.com/?p=202</guid>
		<description><![CDATA[Nikon started it with their D90, but then Canon stormed in with the 5D MkII, then the 7D and the 1D MkIV and the recently announced EOS 550D and has largely owned the HD DSLR market. The Canon cameras have been widely adopted by film- and video-makers at all levels, and have seen use in [...]]]></description>
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		<slash:comments>5</slash:comments>
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		<title>Network Rendering with MetaFuze</title>
		<link>http://dylanreeve.com/videotv/2010/network-rendering-with-metafuze.html</link>
		<comments>http://dylanreeve.com/videotv/2010/network-rendering-with-metafuze.html#comments</comments>
		<pubDate>Thu, 04 Feb 2010 11:04:19 +0000</pubDate>
		<dc:creator>Dylan</dc:creator>
				<category><![CDATA[Avid]]></category>
		<category><![CDATA[High Definition]]></category>
		<category><![CDATA[RED]]></category>
		<category><![CDATA[Video/TV]]></category>

		<guid isPermaLink="false">http://dylanreeve.com/?p=189</guid>
		<description><![CDATA[Avid MetaFuze is a tool from Avid Technology that converts various video formats (most notably DPX and RED RAW) into native DNxHD media that can be used with Avid&#8217;s editing products. The product ships with two interfaces &#8211; a GUI for direct transcoding, and a command-line version more suitable for scripting.
A small number of modestly [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>Downconversion in Media Composer</title>
		<link>http://dylanreeve.com/videotv/2009/downconversion-in-media-composer.html</link>
		<comments>http://dylanreeve.com/videotv/2009/downconversion-in-media-composer.html#comments</comments>
		<pubDate>Sun, 06 Dec 2009 08:10:05 +0000</pubDate>
		<dc:creator>Dylan</dc:creator>
				<category><![CDATA[Avid]]></category>
		<category><![CDATA[High Definition]]></category>
		<category><![CDATA[Video/TV]]></category>

		<guid isPermaLink="false">http://dylanreeve.com/?p=146</guid>
		<description><![CDATA[Updated: I&#8217;ve done a little research on image evaluation, and decided that SSIM presents the best option to evaluate the the perceptual quality. SSIM results are now included below.

In a recent thread on the Avid Community Forums there was some discussion of the quality of Avid&#8217;s downconversion from HD to SD. I have used various [...]]]></description>
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		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>Video Salad</title>
		<link>http://dylanreeve.com/videotv/2009/video-salad.html</link>
		<comments>http://dylanreeve.com/videotv/2009/video-salad.html#comments</comments>
		<pubDate>Fri, 26 Jun 2009 07:18:25 +0000</pubDate>
		<dc:creator>Dylan</dc:creator>
				<category><![CDATA[High Definition]]></category>
		<category><![CDATA[Video/TV]]></category>

		<guid isPermaLink="false">http://dylanreeve.com/?p=117</guid>
		<description><![CDATA[In days gone by there was two types of video &#8211; PAL and NTSC. That was it. There were different tapes, but the video that came out was basically all the same. Any machine with the right plugs could plug into any other.
High Defininition has changed that&#8230; What could have been an opportunity to do [...]]]></description>
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		<slash:comments>3</slash:comments>
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		<title>XDCAM EX Workflow in Avid</title>
		<link>http://dylanreeve.com/videotv/2009/xdcam-ex-workflow-in-avid.html</link>
		<comments>http://dylanreeve.com/videotv/2009/xdcam-ex-workflow-in-avid.html#comments</comments>
		<pubDate>Mon, 23 Feb 2009 10:20:21 +0000</pubDate>
		<dc:creator>Dylan</dc:creator>
				<category><![CDATA[Avid]]></category>
		<category><![CDATA[High Definition]]></category>
		<category><![CDATA[Video/TV]]></category>

		<guid isPermaLink="false">http://www.dylanreeve.com/?p=96</guid>
		<description><![CDATA[NOTE: Since this article was written Avid has introduced AMA into Media Composer (from version 3.5) which greatly simplifies the workflow with EX material. From Media Composer 3.5 onward working with XDCAM (SD, HD and EX) and P2 in Avid is incredibly simple and immediate.
I&#8217;m a fan of XDCAM EX. I like the format and [...]]]></description>
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		<slash:comments>2</slash:comments>
		</item>
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		<title>RED Expectations</title>
		<link>http://dylanreeve.com/videotv/red/2008/red-expectations.html</link>
		<comments>http://dylanreeve.com/videotv/red/2008/red-expectations.html#comments</comments>
		<pubDate>Tue, 29 Jul 2008 23:05:52 +0000</pubDate>
		<dc:creator>Dylan</dc:creator>
				<category><![CDATA[High Definition]]></category>
		<category><![CDATA[RED]]></category>
		<category><![CDATA[2K]]></category>
		<category><![CDATA[4K]]></category>
		<category><![CDATA[FCP]]></category>
		<category><![CDATA[RED One]]></category>

		<guid isPermaLink="false">http://www.dylanreeve.com/?p=71</guid>
		<description><![CDATA[The following is the text of a post I made on a forum as a general response after someone was asking about how best to set up budget/low-end 2K monitoring and finishing for the FCP system..
I reckon Jim Jannard and RED have a lot to answer for when it comes to messing up expectations.
I love [...]]]></description>
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		<slash:comments>0</slash:comments>
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